Once upon a time "The Lovers Guide to Paris" - now publishing eclectic international authors

Andrés Monreal (1932-2012)

A vision in the mirror
Einar Moos


He left as he came into my life, as a rumor.

Few will dispute the fact that he was a genius. To some he was known as the Casanova of Ibiza. He liked to think of himself as the Michaelangelo of the Baleares.

Ibiza had been his home since the early 1960s, when he began working in films. He cast convincingly as the Bedouin freedom fighter Ahmed in "The Lost Command" (1966), a Mexican captain Herrera in "Villa Rides" (1968), or captain Ahab of Nantucket on the seven seas.

He had star quality, much like Anthony Quinn, and exploited his good looks grooming his beard every morning before an original ink drawing by Picasso hung next to his mirror. Picasso's graceful lines were his music. Since coming to Spain he had incorporated the qualities of his surroundings, its sensuous lines, nuanced warm colors, all absorbed in his unique, visionary paintings.

"They are a vision in the mirror".

This rumor preceded his stepping into my life. It came from the Mexican Illuminati Berta Dominguez and her brother "Poncho", both great painters and great drunkards. We had a great time, all of us, and it seemed at times, as though Tequila was in the air.

EDEN

a review of Alain Claret's latest novel
Einar Moos
The lady and the unicorn
Guns, Alain Claret's main character Eden realizes, had replaced books. Von Clausewitz claimed that “War is the continuation of politics by other means”; means dissected in EDEN, a cutting-edge thriller about todays globalised neoliberal economic practices.

The corrupt Mexican Senator Perez Estrada sends his daughter Juana to Paris, to trace money belonging to the Sinaloa cartel. On the day of the dead, the cartel declare their war of “economic expansion” in Paris, leaving a bloody mayhem and the political system in disarray.

Alain Claret flourishes in Paris, knows its ins and outs, transforming real Paris into the stage of deadly entertainment.

EDEN is Alain Claret's 7th “roman” under the auspicious banner of Editions Robert Laffont, Paris. Unknown in English, his writing is closer to Bret Easton Ellis, to Jim Thompson or Raymond Chandler than his French counterparts. There are hints of Mario Vargas Llosa and Carlos Fuentes in EDEN. It is contemporary action-packed mystery writing at its best.

Luco: the history of the Luxembourg garden

An introduction
Einar Moos

arton44

Luco(s) means sacred wood in ancient Gaellic. The Luxembourg garden is a man-made natural light-box whose inception took enormous human sacrifice, as history and archaeological evidence demonstrate.

How did it all begin? Originally Druids performed sacred rites here in the woods. Thus it's not surprising to be called Luco, a Latin term coined by students of the Latin quarter and the Sorbonne.

The Luxembourg garden rises 40-50 meters above the water-level of the Seine, to the west of the montagne Saint Genevieve, where the Pantheon stands today and 2000 years ago stood the Forum.

The deepest well discovered in the Luxembourg garden goes 28,5 meters down. Julius Caesar called the gently sloping hill mont Leucotitus, after the Leuci, a Gaulish tribe originally from Toul, near the grand duchy of Luxembourg.

Before the Parisii, a different Gaulish tribe, arrived around 300 BC, and settled on the current ile de la Cité, Leucotitus was a strategic vantage point overlooking the Seine from a safe distance. The banks of the river and ile de la Cité that later became the bastion of Paris, were still marshland.

TANGO SOLO

Richard Jurgens

MIRROR

how strange it is to know
to realise that you’ve been seeing
something without seeing it
that it’s been staring you in the face
the whole time

usually you look at yourself but can’t
put off the mask somehow
can’t see yourself as you are
as if all you see in a mirror is
a history of reflections

BRION GYSIN, MAGICIAN

Eddie Woods

Enter Brion Gysin. The famed painter, anti-poet and self-proclaimed misanthrope (“Man is a bad animal”); the man who’d turned Burroughs on to the possibilities of cut-up writing (a notion he himself had filched from the Dadaist antics of Tristan Tzara) yet later called William “Master,” and who years earlier had been unceremoniously evicted from the surrealist movement by André Breton...Brion Gysin was back in town, brought to Amsterdam by Benn Posset for a duet at the Melkweg with très avant-garde soprano saxophonist Steve Lacy. I’d gotten to know Brion at P78, had visited him a couple of times in Paris, and for sure wanted to catch this dynamic twosome strutting their stuff. As ever (i.e., when all else failed), my press pass got me in. 

THE THIRD EARL

Richard Jurgens

Hilton Ellis is a renegade white South African who leaves his native country at a young age to escape the military draft. With his world in chaos around him, he arrives in Amsterdam full of high hopes for a life in the city's thriving alternative cultural scene. While living there he experiences a series of comical adventures that challenge his ability to overcome the often surprising obstacles involved in becoming an artist—and more importantly, in gaining greater maturity as an individual.
Written in the tradition of the episodic novel, The Stolen Scenario follows this complex and ironic character as he gradually acquires an increased understanding of the complexity of human nature and of the ironies of his own existence. 'The Third Earl' is chapter eight.

I

‘A storm had gathered at the borders of the garden. Giant blue stick men stalked stiffly among the dense clouds on the horizon, stooping here and there to aim lightning bolts at street lamps, roofs, trees. With each step they drew nearer.

‘Inside the imposing Victorian villa lurked a boy. He was in the library overlooking the lawn, staring wordlessly at the gathering darkness. Rain was beating against the leaded casements. All around him the old house groaned under the weight of the wind.

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