- Alain Claret
- Le marché aux voleurs
- La Mort visite Montparnasse...
- "Croyez vous que je l'ai tué?"
- Un Flic lit Cicéron
- Des femmes et du vertige
- Home, sweet home
- Mon ami Newton
- Frieda la brune
- No man's land
- Un sale défaut
- Stabat Mater Dolorosa
- Elles blessent toutes, la dernière tue.
- Le Diable et la Victorine
- Un monde trop grand
- De l'alcool et des larmes
- Les papillons de Venise
- Les yeux de Manon
- Une leçon de solitude
- Paroles d'ivrogne
- Des bêtes autour de vous
- Chair triste
- Autopsie d'un chasseur.
- Les voleurs de temps
- Loufried
- Ma Cuisine
- Le marché aux voleurs
- Carlos Henderson
- Richard Jurgens
- Karen Margolis
- Henry Miller
- Einar Moos
- Andrés Monreal (1932-2012)
- Art
- Anthony Meyer
- Chris Newman SCRUPLES
- Curt Hoppe
- Denise Colomb dies at 101
- Dominique Obadia
- François Baschet
- Jacques Camus
- Jacques Villeglé
- Local Artist: Diarmuid Harrington
- Musée Guimet - East Asian Art
- Musée Picasso - Hotel Salé
- Nat Finkelstein - A Tale of One City
- Nedko Solakov
- Olga Luna
- Paris-Montmartre Museum of Erotic Art
- Richard Ballard
- The Bernheim-Jeune Saga
- Visiting with Shelomo Selinger
- EDEN
- Features
- Music
- Places
- Portraits
- Bandol
- Basile Saint Germain's Solen 2000
- COCO CHANEL
- Crossing reality
- Dr. Jacky Chan, MD
- Jacky Preys
- Jean Marie Gremillet and his Lafitte Foie Gras de Canard
- Jim Harrison
- Jim Haynes
- John Calder
- Jura ou Medoc?
- Marco et les courgettes
- Montlouis from Olivier Deletang
- My friend Désir
- Que savez-vous des morts?
- Salon Baba is cool!
- The other side
- Yuyutsu RD Sharma
- bart plantenga
- William Prendiville
- Eddie Woods
- Nina Zivancevic
- Walter Q. Foxx
12:45 Travesti
The lunchtime travesti whore with a nest of hair the color of rusty water has all the hyped-up curvaceous flourishes (the kind of terra cotta derriere upon which one can balance 3 wine glasses on the plain of the spine’s curve, the coccyx) that can stop men dead in their prowlish tracks. They stare from a suitable distance, hand-rolled cigarettes sticking to their upper lips, so awed by the riot of sensual planes they are rendered stunned mid-step oblivious to Pigalle traffic. A fleshy architecture that reeks havoc, erects a confusion of emotions and desires that combust contrary to expectation, decorum, and survival. And what is the glittery blush these travestis apply to the exposed portions of their bosoms which brings sparkle to their robustness?
She works the grimy doorway just off Boulevard Clichy, lined with its “Life Show” cabarets, Kung Fu theatres, cheap frite joints, mafia-protected sex shops andboits noirs, coin-op peep shows and video booths and the obnoxious barkers – “We have the life show with the Bongbongs!” – who try to corral tourists with fast talk deals way too good to be true. They stand their bouncing and weaving on their feet like bungling, demoted hitmen working the front. And yet, some among these passersby will figure how they might raise themselves above the more conventional tourists and this is why some go in, to later be able to tout their adventures to those among their bus tour group too squeamish to enter. And this small peephole they will call life. I am not like that and neither is she. We let each other know in some subtle manner – a glimmer, an almost imperceptible nod – that we are in this together. Je suis ecrivain. I told her much later. Je suis le grand histoire. She responded. We were both from the minimal-response-is-best school. Besides she wasn’t being paid by the word and neither was I.
[I later wrote a story about her for Paris Patois and, to my amazement, they published it. They were short on stories. Writers departing like crazy. For no apparent reason. Other than the fact that they were being treated like something between cattle and chattel. Well, a 218-word version [1118-word original] of it anyway. Her life as a boy in Palaiseau. Her fascination with spying on the hookers in the Bois de Bologne. He cross-dressing as a nurse. Her totally un-ironic declaration that she wanted to be a nurse – a real one. But when I went back to give her a copy of the Patois – her page dog-eared, photo by Manu – she was gone. And like a bicyclist who scatters pigeons when I approached the local denizens they all shrugged their shoulders like they were about to take wing and I never saw her again. But I don’t think it had anything to do with me or Manu taking photos of her. Or did it? I did ask around. Nobody knew. I did read the obituaries.]
But “our” travesti smirks, snarls, and stalks – I still think of her, Jean/Jeanne, in the present tense – her corner, right across the street from Bruno’s famous tattoo atelier on Rue St. Germain-Pilon. She makes the men ache with ... possibility, the possibility of engagement so, let’s say, distinctively underworld that it promises to tag your memories for the rest of one’s time on this grimy spinning ball.
“Une fille normale? Non!” She offers a kind of confused set of attractive/detractive signals which allows one to have contempt for this bawd while you (yeah, you too) are being piqued by the configuration of arousal signals s/he daily constructs out of paint, pose, and hormone. She enjoys, or the speed makes her look like she enjoys, these provocations. She is busy and she can be fast – 8 minutes. (Yes, I have timed several of her encounters with my alarm clock in pocket.) And yet whores like her spend as much time on their knees as any priest or penitent.
I see several pigeons across the alley from her, pecking away, bickering in a flutter of feathers over last night’s splatter of surreptitious puke. Even with some places offering the safety measure of watered-down cocktails, some still lose their heads and various lengths of their entrails. Who is it that noted they thought all puke looked like partially masticated Lucky Charms?
Submitted by parisiana on Wed, 06/01/2005
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